294604 Votes
8,6 of 10 Star
Creators Sam Mendes, Krysty Wilson-Cairns
2019
1 hour, 59Minute
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★⬆★⬆★⬆★⬆★⬆★⬆★⬆
I got to see this film for a second time tonight, and it was even better than the first time. This film is a technical marvel. Roger Deakins is the greatest cinematographer to ever live, and he should win an Oscar once more for this film. I don't agree that the story and characters were surface level. I thought the acting was great and very underrated. I thought they were a step above most war films and because of that this made for one of the best war films I've ever seen. The cinematography combined with the score made for one of the most emotional and nail biting experiences of the year. It's not my favorite or the best out of the Best Drama nominations at the Golden Globes, but it definitely deserved the win as well as Best Director. It's one of the best films of the year, it opens wide this Thursday, go see it as soon as possible.
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I don't care if the story is good. If a bomb blasts right beside you and you don't even shake/move, you do not deserve a decent rating or an Oscar nom.
Besides, this seems sorta like a remake of Idi, Smotri.
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This film is an immersive and wholly impactful experience showing viewers just how visceral and hellish it was to be in combat during World War I. Directed by Sam Mendes and stunningly shot by cinematographer Roger Deakins, this film tells the story of two young British soldiers who are given orders by their superior to deliver a message to prevent an attack in a seemingly distant area of France. The film is (mostly) shot and tightly edited to appear akin to one continuous shot that grabs the viewer's attention and never lets go.
The intensity of the film is almost heart-stoppingly powerful. Viewers really feel the tension and anguish that countless young men were forced into during the war. The use of tracking shots and differentiating scope and scale further make the film's war action seem even more impactful. Its production design is outstanding, with unbelievably detailed recreations of various landscapes of the Western Front. Two the surprise of no one, Deakins' cinematography is remarkable both in its ambition and its execution. The film is incredibly well-acted, and also manages to develop its characters well, almost placing their current states of being into a figurative tapestry summing up the film's primary messages and intended takeaways about the war in the exact moment in which it is set. All of the film's scenes and major setpiece moments are superbly edited not only to look like one take, but to establish stunning tightness and cohesion to the narrative.
While the film is undoubtedly great, it's not quite perfect because it could have used some contextualization about what exactly was going on in the war during this exact time in 1917. Even though I'm a history buff to some extent and knew the basics of that, I would have appreciated some more specific information. It would have been possible to do this without breaking the film's "one-shot" style, as such context could have been revealed through dialogue or visually. This is the main reason that, while a very strong achievement without question, this film does not quite rise to the level of Christopher Nolan's "Dunkirk, another visually immersive representation of a short time frame in a terrible 20th-century war. The time span of the film seems very slightly contrived as well.
That said, this is probably the most unique and detailed portrait of World War I since "All Quiet on the Western Front, and I absolutely recommend it. 8/10
NOTE: I saw an advance screening of the film in RPX (Regal's premium large format.) While the picture and sound quality were good, I still feel that RPX is inferior to Dolby Cinema and IMAX.
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